In what should be a highlight of the new season, soprano Anna Netrebko sings her first MET Aida, going toe-to-toe with mezzo-soprano Anita Rachvelishvili as Amneris.
Anna Netrebko Makes ‘Aida’ Her Own.
The NY Times
An enslaved Nubian princess, Aida, finds her heart entangled with Radames, an Egyptian soldier who is betrothed to the Pharaoh’s daughter, Amneris. As their forbidden love blossoms, Aida is forced to weigh her heart against the responsibility that she faces as the leader of her people.
In a remarkable career spanning six decades in the theater, Giuseppe Verdi (1813–1901) composed 28 operas, at least half of which are at the core of today’s repertoire. His role in Italy’s cultural and political development has made him an icon in his native country. The story of Aida is thought to be the creation of Auguste Mariette (1821–1881), an extraordinary French archaeologist who was the founder of the Egyptian Museum of Cairo. Camille du Locle (1832–1903), who collaborated on the scenario with Mariette and suggested the story to Verdi, had worked with the composer on the libretto of Don Carlos. Aida’s librettist, Antonio Ghislanzoni (1824–1893), was a novelist and poet as well as the creator of some 85 libretti.
The libretto indicates merely that the opera takes place in “ancient Egypt, in the time of the pharaohs.” This may sound vague, but it was a clear direction to approach the drama as myth rather than anthropology or history.
The score of Aida is a sophisticated example of Italian Romanticism, imbued with a convincingly mysterious and exotic hue. Making no claims to authenticity, Verdi created a unique musical palette for this opera. The grandeur of the subject is aptly conveyed with huge patriotic choruses, most notably the unforgettable Triumphal Scene in Act II. These public moments often serve as frames for the solos of the leading tenor and soprano: his soaring Celeste Aida right at the beginning of Act I, her impassioned Ritorna vincitor! that follows, and her great internal journey, Qui Radamès verrà! … O patria mia in Act III.
USA 2018, 247 min, rated G
(includes two 30 min intermissions)
Live performance opera
Conductor: Nicola Luisotti
Vocal cast: Anna Netrebko, Anita Rachvelishvili, Aleksandrs Antonenko, Quinn Kelsey, Dmitry Belosselskiy & Ryan Speedo Green
The Metropolitan Opera changed the face of theatergoing nearly a decade ago with high-definition simulcasts in movie theaters using a technology associated more with rock concerts and boxing matches than opera. We are very lucky at Arthur’s to be able to offer this sensational bit of culture, art and entertainment to you.